Federico Garcia Lorca'nın hayatı ve tiyatro üçlemesinin incelenmesi
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Date
2009
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Sosyal Bilimler Enstitüsü
Abstract
This thesis work scrutinizes the societal order Federico Garcia Lorca perceived during his time, and the reflections upon his works based on those perceptions, in view of the awareness of Lorca?s spatial and temporal boundaries. Hence, I took the chance of emphasizing what the characters Lorca created inwardly shouted against phenomena such as bigot traditions and social jurisprudence designed to preserve concepts like family honor or reputation.In the first section, I wanted to focus on the conjunctional settings of Lorca?s time, the political status of his country and the social order, therefore, we would grasp an idea that how those things were perceived by him and reflected upon his work. That was the most illuminating method of drawing an image of Lorca as an artist.As for the second section, I reviewed the `1927 Generation? trend which constituted the very foundation of Lorca?s inimitable narration, and other writers and particular works contributing as references for him.In the third section, I deeply examined the life of Lorca, whose contributions towards the development of his political and collectivist view of art cannot be doubted. The political status of Spain during its civil war and tragic death of the writer have been discussed..In the latter, the context of his unforgettable trilogy has been discussed play by play; what have been inherited from Lorca in terms of content and form. The common characteristic of Lorca tragedies emphasize what reactions may be observed when individuals or societies are oppressed until a certain degree.In short, the projections Lorca articulated within his plays still preserve its legitimacy. Those articulations include the law of nature that oppression of social motions gives presence to an equally strong reaction towards different aspects, further suggestions and commentary.
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Keywords
Federico Garcia Lorca, Tiyatro oyunları, Biyografi