Les paradis artificiels comme moyen d'echapper au spleen dans l'ouevre de Baudelaire

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Date

2009

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Sosyal Bilimler Enstitüsü

Abstract

Charles Baudelaire is a nineteenth century poet, critic and translator. He open the way for modern poetry. This is Charles Baudelaire who fonded the bases of the Symbolism. Poet of Ideal and Beauty, his soul is always looking for the perfection.To escape the Spleen the poet uses poetic language, which has the capacity to give meaning and transmute the more mundane and most vile realities. At first, we had to seek the source of the Spleen which accompanies him all his life.The thesis studies in the first the influence of Christian formation in his private life, the primary role of his mother in his enigmatic universe and le Mal du siecle.Baudelaire found his own ways to escape the Spleen. The artificial Paradises seemed the only possible attempt to be free from his evil.Drunkenness as a first way is a flight to the paradise imagined. To drown his melancholy, Baudelaire relied on wine and hashish. The poet is fascinated by the women. Sometimes he finds in her a safe refuge. It takes a key role in his life with different images. The travel and the revolt are another ways that allowed his mind to fly by artificial paradise to a world without trouble. All escape attempts ended in failure. Life itself is a source of the Spleen. Object of a quest, death is the ultimate way to solve the contradiction of good and evil. It is seen as a move towards a reconciled world. The soul of Baudelaire suffocating in the world, which explains that, the only possible place to find peace is anywhere out of this world.Charles Baudelaire was fascinated by some literary;Hugo,Poe,Quincey,and Gautier.But expressing his Evil is original. It arouses the senses hearing, visual and olfactory, which aims to relieve his nostalgic Spleen. His originality reside in the determination of distance between Spleen and Ideal.

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Keywords

Baudelaire'in yapıtları, Yapay cennetler

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