IDENTITY, CHOICE AND PERFORMANCE RITUALS IN JOHN BARTH'S "LOST IN THE FUNHOUSE" AND SAM SHEPARD'S "ACTION" AND "COWBOY MOUTH"
| dc.contributor.author | ÖNDÜL, Selda | |
| dc.date.accessioned | 2019-04-18T06:37:50Z | |
| dc.date.available | 2019-04-18T06:37:50Z | |
| dc.identifier.endpage | 104 | tr_TR |
| dc.identifier.issn | 1300-1523 | |
| dc.identifier.startpage | 093 | tr_TR |
| dc.identifier.uri | http://hdl.handle.net/20.500.12575/56170 | |
| dc.relation | Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Tiyatro Bölümü | tr_TR |
| dc.relation.journal | Tiyatro Araştırmaları Dergisi | tr_TR |
| dc.title | IDENTITY, CHOICE AND PERFORMANCE RITUALS IN JOHN BARTH'S "LOST IN THE FUNHOUSE" AND SAM SHEPARD'S "ACTION" AND "COWBOY MOUTH" | tr_TR |