Ahmedoğlu Şükrullah ve Edvar-ı Musiki adlı eseri
Özet
Kamiloglu Ramazan, Ahedoglu Sükrullah and his written work of art Edvar-ı Musiki, Ph.D thesis, Supervisor: Assc.Prof. Dr. Bayram Akdogan, XXp + 174p + 121p. appendix. The first fifteen chapters of this st?udy which we named Edvar-ı Musiki is a 15.Century Turkish translation of Urmevi?s ?Kitabül Edvar? in Arabic, which is one of the most important written sources with regard to theoretical aspects of Turkish Music. In the other chapters of Edvar-ı Musiki, there are some discussions with respect to how amusical instrument is constructed. This is very important in that those discussions are the first theoretical discussions in Turkish about how to construct a musical instrument. Edvar-ı Musiki is a book about sound systems of ancient East and Turkish musics consisting of 18 sounds and 17 intervals, saz tunes, rhythms, instrument constructing, wire making, sitting and listening manners in an assembly, objects which taint and clear musical sounds. The author of the book, Sükrullah states that he referred to Farabi, bn Sina, Urmevi, Kemal Tebrizi, Hüsameddin Seyh Hasan Kazuruni and hvan-ı Safa when writing this work of art. The other topics which are taken into consideration in Sükrullah?s book are: the description of musical tunes, the explanation of high-pitched and low-pitched, the illustration of pitches in which sounds are created, ratios of intervals, the reasons of harmony and disharmony, periods and their ratios, judgement on two wires, the regulation of ud wires, popular periods, common sounds of periods and tunes, phases of periods, accords of ud, periods of rhythms, effects of tunes, introduction to practice, techniques with regard to wire construction, techniques about various instruments, varieties of wood which are used in constructing musical instruments, things that music st?udents should do, objects which destroy and clear sounds, terkis, four elements, performance of the modes in particular times, which mode trigger which emotions.