Tiyatroda sahne dili olarak grotesk ve bir örnek uygulama: Masanın Altında (Roland Topor)
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Date
2010
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Sosyal Bilimler Enstitüsü
Abstract
Grotesque notion is firstly used as an archeological term. Using this term in art begins at the Renaissance. This word is literally used for interlaced ornamentation of human, plant and architectural elements. Afterwards, in other fields of art, it appears with violating its form and norms, and causes forming new and intermediate genres by seeping into dramatic genres. So, it becomes a term which is called with a lot of hybrid genre.Grotesque is constituted by using a lot of methods such as reversing, childishness, multilingual and using contrast in art objects. Especially in the art of theatre, a new and and unique theatrical language emerges by the created structues. The emerged theatrical language shows the beholder a grotesque world and this so called world is not a world ruled by the rules of "norms" but a twisted world ruled by the grotesque.Significant authors of theater history such as Jarry, Dürrenmatt, Büchner, Strindberg, Chekhov, Ionesco, Beckett, Fo, Müller and Topor used grotesque theatrical language in different ways in their works. Especially Topor, creating a grotesque burlesque with his work Under The Table, successfully converted the grotesque using all means of grotesque to a theatrical language.
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Tiyatro, Masanın Altında